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Danno's avatar

All good points, and I’m hopeful of a 12+ win season. I do think that even without better coaching, there’s reason to believe we are better at all 5 O-line positions. Cross is still 24 and should see incrementally better performance at LG, then add coaching. Zabel should be a big improvement over Tomlinson, then there’s coaching. Olu had 1/2 a year worth of experience, then there’s coaching. Bradford is surprisingly young, which usually translates to better performance, came to camp in much better shape, and then there’s coaching. Sundell won MacDonald’s award for best offseason conditioning, played very well in the one game he had a chance last year, is very young and should see incremental growth, and then there’s coaching. Lucas will be significantly better than Lucas last year if he stays healthy, monumentally better than Stone feet Forsythe, and significantly better than Jerrell.

My 12 win Seahawks team prediction right after the schedule release:

https://open.substack.com/pub/danno2/p/seattle-seahawks-season-prediction?r=17eya&utm_medium=ios

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Grant Alden's avatar

What a cruel thing to do to a long-retired (from that gig) music critic. Sophomore slump, all that. Fine. Here's the thing: it's not the sophomore album, it's the album that comes after a wide swath of the public discovers an artist. That's the one that's brutally hard to make.

For me, my favorite is almost always the album in which the artist does the thing I most value, and I won't bore you with trying to explain what that is because it's a bloody essay I've never actually written, and I change my mind.

But if we're going to stick to the terms of the discussion, The Second Album, I'll take "Bleach" over "Nevermind," but "Nevermind" is the one people heard first, and probably most folks would say "In Utero" wasn't as good but "MTV Unplugged" was righteous. Soundgarden's "Louder Than Love" worked for me while their first formal album, "Ultra Mega Ok" was less successful, but some of the two SST EPs they released is also delightful. I suppose most folks would say "Superunknown" was better than "Louder Than Love," but I'd say they were wrong. But most artists are closer to OL than WRs (to mess with metaphor in a dangerous way). So Patty Griffin's didn't really hit her stride, for me, until "Children Running Through," which is her fifth long-player.

I'm going to stop now.

See what you made me do?

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